Director Lee Jun-Ik’s historical film The King and The Clown was a big commercial hit in Korea when it was released in 2005. Critics also raved over the film. It would go on to break box office records in South Korea and also be included in many critics’ lists for that year. Even though his subsequent work has failed to match his creative and financial success with The King and The Clown, his involvement in that movie has ensured that he remains one of Korea’s most highly watched directors.
Almost five years after The King… Lee Jun-Ik is returning to period movies, this time in a more action oriented fashion. Lee’s new movie, entitled Gureumeul Beoseonan Dalcheoreom or roughly “Like The Moon That Escaped the Cloud,” features Cha Seung Won as a revolutionary and Hwang Jun-Min, who will play a “legendary blind swordsman.”
Say what?
Doesn’t “legendary blind swordsman” describe a very famous character in Japanese legend and film? Based on a promo shot of the blind swordsman, it does look like Lee has taken inspiration from the legendary Zatoichi. I won’t be surprised if Lee’s movie will also borrow some elements and plot points from the Zatoichi story.
I still look forward to the movie though.
John Sayles working on movie in the Philippines
John Sayles has begun shooting his latest movie without a lot of fanfare. The US media has been unusually quiet about this new Sayles project. Even though Sayles is known for being an independent filmmaker, the lack of media coverage far from the ordinary.
The cast and crew for the new movie, Baryo, has already arrived in the Philippines and word has it that filming will officially begin this week. Baryo will be a fictionalized account of the Philippine – American War. There is speculation though if this is going to be told from the point of view of the Americans or the Filipinos.
There are some who think that Baryo may be an offshoot of Sayles’ 1000 page historical fiction novel entitled Some Time in The Sun. Sayles had problems finding a publisher for the book.
If you’re interested in finding out the progress of the new Sayles film, a production blog is now online at http://johnsaylesbaryo.blogspot.com/.
Tom Ford: new director on the block
Tom Ford shifts his focus from creating expensive designer suits to directing films with Single Man.
The story draws inspiration from a short story written by Christopher Isherwood. Set in the 1960s, it centers around George (played by Colin Firth), an English professor still grieving the death of his partner. Though several years have passed, he’s still trapped in the past — or miserably trying to escape it. In his depression, he, uhm, “seeks comfort” from his best friend (played by Julianne Moore). We all know how that goes.
So George decides to kill himself. And that would be a pretty horrible way for a Christmas movie to end (although, interestingly, suicides tend to rise during the winter season — must be the combination of the dreary weather and dysfunctional family reunions). But in the spirit of another holiday classic, “It’s a Wonderful Life,” George has a “moment” that convinces him that yes, life is meaningful.
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Colin Firth was pretty darned good in this movie, and all things considered, Tom Ford did a fantastic job, too. It is his first film, and he took creative risks, including the subtle use of color to express mood or even shift time frames (must be the designer in him). Even the placement of objects is symbolic.
It won’t win any Cannes awards but “Single Man” is a brave directorial debut that tackles a powerful topic of enduring love, triumph over tragedy, and hope. All in all, it’s a thought provoking film, and one that will have you in a suitably reflective mood when you think about the holidays “and what really matters.”
Looking Back at the Decade-Old “Bicentennial Man”
It’s been almost ten years since “Bicentennial Man” was released and we have yet to see a robot come even remotely close to Andrew Martin’s (Robin Williams) caliber. Of course “Bicentennial Man” is sci-fi but with all the advances in technology we know that the line between sci-fi and reality gets blurred more and more each day.
I felt like writing about “Bicentennial Man” though not because of the sci-fi element but because, having seen it again lately, I remembered just how much of a tearjerker the movie was, and still is. If you haven’t seen “Bicentennial Man” yet don’t expect to be surprised by an unexpected twist in the plot or a sci-fi film full of imagination that is truly out there but do expect to be do expect to be immersed in a story of a robot reaching for his destiny, which is to be recognized for his humanity.“Bicentennial Man” is a remarkable film not for its novelty but because it is a great example of good old storytelling. It is one truly compelling film.
Other similar films that I enjoyed are “AI” and “I Robot”. For me AI was as good as tearjerker as “Bicentennial Man”. I think I almost died from a clogged nose right at the end when he “slept” with his mom. “I Robot” was also enjoyable with more action scenes and hence a bigger hit but for me it’s storytelling just wasn’t at par with the other two “humanized robot” stories.
Titanic Coming Back in 3D
“Every night in my dreams I see you, I feeeel you…” Still really sticks once it you remember the titanic of a film – “Titanic”. Well next year a new crop of teenage girls will surely go crazy over the film since it is being remade into a 3D movie.
I know there would be people out there who’ll be less than enthusiastic about the news. But who cares? For girly girls like me who swooned and cried repeatedly during the countless time we saw the film back when we were in high school there’s no doubt that we’ll be awaiting the 3D remake of “Titanic”. For those involved in the film who’ll be making a titanic of a paycheck again once the blockbuster comes out, we can also be sure that they’ll probably be even more excited about the return of “Titanic”. The only one I can really think of who will benefit from the film that might not be too thrilled about its return would be Leo di Caprio simply because he is sooo over the crazy attention, especially from the paparazzi, from being a huge star. Of course he’s grown up a lot and should be able to handle the paparazzi thing now so maybe he isn’t to averse to the idea of “Titanic” coming back to make him the center of attention once more.
As for the actual 3D experience I am yet uncertain as to how that will pan out. Pretty sure that the once the boat starts sinking 3D aspect will make it more exciting but for the first part I don’t see how it’ll make much of a difference. Maybe cinemas should turn on fans (as in electric fans) during the famous “I’m flying” scene with Jack and Rose. Now THAT would be immersive.